Tracing Authorship In Noise [TrAIN]

Trainlogo In April 2016 eTRAP was awarded a 20,000€ grant from the University of Göttingen for a six-month pilot project as part of the Campuslabor Digitisation initiative.


This project responds to the “Interessenbekundung zur Themenbesetzung im Campuslabor Digitalisierung” call and aims to conduct research pertaining to two essential Digital Transformation processes, namely Optical Character Recognition (OCR) and Handwritten Text Recognition (HTR), applied to historical data. Both processes are used to produce massive –albeit noisy– digitised data to support research in textual scholarship. But in order to perform these analytical studies and automatically produce informative results, digitised text must fulfill a certain level of accuracy. In fact, too much noise or uncorrected OCR’d input can hinder retrieval tasks and affect their output. Moreover, as data pre-processing –including OCR post-correction– typically consumes up to 80% of the overall time spent on data analysis research (Wickham, 2015), scholars are often reluctant to work on noisy OCR’d texts.


TrAIN (the acronym refers to the algorithm training required for this research) seeks to investigate the complex relation between digitised noisy data and automatic text analyses by way of a local case study: the vast letter collection of the Grimm Brothers, available as both digital images of the original manuscripts and as a printed edition (see below). In particular, we will compare the outputs produced by the HTR of the original letters and by the OCR of the printed edition, and investigate two common scholarly tasks: text reuse detection and authorship attribution. Specifically, we will use text reuse algorithms to align the OCR output with the HTR output, and author attribution techniques to identify the stylistic markers of the Grimm Brothers. While the former task focusses on content words, which are less frequent and part of the 90% of words that occur ten or fewer times, the latter primarily concentrates on frequent words, such as function words (e.g. ‘of’ or ‘the’). We propose these two methods because they address two different ‘frequency domains’. Authorship attribution is much more robust on errors in the long tail of rare words, whereas text reuse detection is more dependent on cleaned data since it primarily operates on low frequency words.

Research Questions

On the one hand, we will investigate and define the maximum noise threshold that will allow us to adequately conduct authorship analyses on the texts – at which point does noise interfere with the automatic identification of stable linguistic and stylistic markers? What is the minimum amount of noise we need to correct? On the other, we will run a combination of authorship analysis techniques in order to understand whether it is possible to build a digital authorship fingerprint for both Jacob and Wilhelm Grimm regardless of handwriting and stylistic changes over time.

Case Study & Methodology

In October 2015, eTRAP acquired a copy of the digitised corpus of letters belonging to the Grimm family.1 Among these, we find many letters, which Jacob and Wilhelm Grimm –authors of the famous Kinder und Haumärchen– wrote to each other and to their acquaintances from an early age up until their death.2 These letters touch upon personal and professional matters, bearing witness to the Brothers’ life and stylistic evolution from their childhood to their role as professors and authors. We are manually producing transcriptions of a selection of these letters and have selected the tool Transkribus, the current state-of-the-art tool for the recognition and transcription of  handwritten text, for this purpose.3 The transcriptions produced by the students constitute the all important training data that will enable the automatic generation of new transcriptions. Transkribus, in fact, works in such a way that the more text it “sees” by a specific author, the more it learns to “read” new unseen text by that author. This function allows researchers to considerably speed up the time consuming transcription and preparation work necessary for research analyses. This process of transcription will be complemented by an OCR process aimed at digitising the Grimm Briefwechsel, an existing critical edition of Grimm’s letter corpus.4 The benefit of having a printed collection of the letters is that it makes it possible to compare the output of the automatically generated transcriptions with the manually curated finished work.

For OCR, eTRAP has already setup a pipeline incorporating the open source engines tesseract5 and Ocropy6. Tesseract‘s simpler models lend themselves well to large scale recognition. Ocropy, with its neural network recognisers, is often used to digitise and read difficult texts, such as those written in Fraktur. Each of these approaches has its strengths and weaknesses, calling for output aggregation in order to optimise results. With this joint setup, an accuracy of 90% or more can be achieved and, if our estimations are correct, should suffice for authorship attribution analyses. For text reuse detection, we will deploy TRACER, a text reuse framework incorporating a suite of state-of-the-art algorithms collected and developed by Marco Büchler. Using text mining approaches, it automatically detects text reuse and allows the user to manually define and annotate textual relations. For the purpose of authorship attribution tasks, we will use the freely available stylo8, an authorship attribution package commonly used in the Digital Humanities. To corroborate stylo‘s results, we will also use the JGAAP (Java Graphical Authorship Attribution Program) software framework7. The benefit of JGAAP is that it is written in Java and can be both used as a standalone application and easily integrated into complex computational processes. Furthermore, it contains all default implementations, such as Burrow’s Delta (Burrows, 2002).

Overview of the project
Overview of TrAiN.


Project information

Project Co-PIs: Marco Büchler, Greta Franzini, Emily Franzini, Gabriela Rotari, Maria Moritz.
Project transcribers: Linda Brandt, Melina Jander, Svenja Walkenhorst.
Project duration: 1 July 2016 – 31 December 2016.


  1. A total of 36,000 TIFF files purchased, together with publishing rights, from the Hessen State Archives in Marburg. Available at: (Accessed: 16 November 2015).
  2. Jacob (1785-1863) and Wilhelm Grimm (1786-1859) were German researchers, academics and authors who collected and published folklore tales during the 19th century.
  3. Transkribus is a Transcription and Recognition Platform (TRP) whose main objective is to support users engaging in the transcription of printed and handwritten documents. It offers tools for Handwritten Text Recognition (HTR), Layout Analysis, Document Understanding, and Writer Identification. Available at: (Accessed: 16 November 2015).
  4. More information available at: (Accessed: 16 November 2015). A copy of the critical edition is held at the SUB Göttingen.
  5. Available at: (Accessed: 16 November 2015).
  6. Available at: (Accessed: 16 November 2015).
  7. Available at: (Accessed: 16 November 2015).
  8. Available at: (Accessed: 17 November 2015).

Works cited